WURF, Mediador and Rhizome comprise three 'Sonic Theatre' pieces that I wrote, co-produced and performed in.
WURF is a marionette, floating and swinging in a state of grace, blissfully unaware, willess and gravitiless. Offered a pair of scissors and a head lamp to see with, WURF awakens, becoming conscious. Cutting himself free from his pre-tensile cocoon WURF falls. So begins WURF's journey; a journey from a kind of paradisal choiceless unity into the endless tensions and boundaries of the dualistic world. An infant in movement, WURF must develop the skills to move in a world forever pulling down, rather than up. Restless, impatient with the limitations imposed by gravity, WURF begins to resist it. Pushing and stretching the limitations of human movement, swinging across gravitational extremes, WURF attempts to create the tension and hence momentum required to break out of the skin of mortal limitations and re-enter the sphere of grace. In an archetypal act of escape and resistance WURF learns to climb, and so WURF ascends, reversing his original fall, the consequences of which are yet to be known.
Mediador explored the relationships of media, citizenship, democracy and capital through songs, spoken word, live and recorded music, dance and video projection.
Rhizome explored the limits of complexity and growth through choral voice, spoken word, live music and dance.
A non-binary information system is released by a Poet/Theologian terrorist and a MIT/University of Ruder Finn Professor. A hyper-text excerpt from a novel-in-progress, MONA was performed at the Subtle Technology Conference in Toronto.
All works by Nik Beeson alone are licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Canada License.